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Indie Roundup gathers a selection of indie film news from the past seven days and offers a peek ahead to what's coming.

Deal. Do not despair that the first month of the new year will be filled solely with the expansion of award contenders. Distribution rights in the US for Sweetgrass have been acquired by The Cinema Guild, according to indieWIRE, and the documentary will open at Film Forum in Manhattan on January 6, followed by a rollout across the country.

Directed by Ilisa Barbasch and Lucien Castaing-Taylor, Sweetgrass "follows the last sheepherders to trail their flocks up into Montana's Beartooth mountains for summer pasture," per its official synopsis. After debuting at the Berlin Film Festival last year, the doc played the festival circuit quite successfully, picking up positive critical notices. Check out the splendid trailer in all its quiet, chud-chewing glory after the jump.

Online / On-Demand Viewing. Debuting on demand next Sunday, Clarkworld paints a portrait of filmmaker Bob Clark. Best known for his perennial holiday favorite A Christmas Story, Clark also made the groundbreaking Porky's, which set the tone for all raunchy teen comedies to come, and the significant slasher pic Black Christmas, another flick that was a trendsetter (or at least ripped off at will). Director Deren P. Abram talked with Peter Billingsley (former child star turned filmmaker), Kim Cattrall, Jon Voight, Denise Richards, Mary Steenburgen, John Saxon, Scott Baio, and other people who weren't even in any of his movies! We have the trailer for this one after the jump, too, which makes for an interesting contrast with the one for Sweetgrass. Look for the movie on cable systems via Cinetic FilmBuff.

After the jump: box office talk; trailers for Sweetgrass and Clarkworld.

Netflix knows where it's at when it comes to the rental biz; more and more, folks want to stay at home and watch movies instantly. We don't even want to wait for those happy little red envelopes any more. Nope, if it's not on our Xbox 360, PlayStation 3, or computer, we get all squirrelly. (Okay, maybe that last part is just me.) And IFC is also on the cutting edge of home entertainment in its steadily growing on-demand offerings, including their IFC Festival Direct program, where you can watch a selection of movies that have played during recent festivals, and the In Theaters + On Demand program, which offers at-home viewers the chance to see indie flicks the same day they premiere in what's usually limited release.

Now Netflix and IFC have sealed the deal for a partnership that gives Netflix access to 53 IFC releases to be streamed online to whichever platform you like, starting today.

I would guess that if this experiment takes off, we'll be seeing more IFC goodies on Netflix, but for now, you can see docs like The Thing Blue Line and Gates of Heaven; international films from Catherine Breillat, Christophe Honoré, and Alfonso Cuaron; and Joe Swanberg; and plenty of other flicks like The Brother from Another Planet, Nights and Weekends, and more. Check back later for the full list and more details on the launch of this new project.

Have you watched any of the IFC On Demand offerings, especially if they're for releases not otherwise available in your area? Do you think this is another death knell for the indie video store, or a really, really good idea to help spread the word about otherwise underseen independent films in a struggling market? Or both?

Variety is reporting that Brett Ratner has been hand-selected by Reliance Big Pictures to re-edit a forthcoming drama of theirs, Kites, in order to make the film more accessible to international audiences. Yes, the man who made the Rush Hour trilogy has been tapped to once again crush cultural barriers (assuming that's what Reliance thinks he did with those films). The production is being filmed in both Hindi and English, so it'll be Ratner's job to make sure that the English-language cut is attractive enough for a sales market outside of India, which will only be getting the Hindi cut.

And as odd as this news seems at first, the official synopsis for Kites does seem to fit Ratner's penchant for making broad-appeal films: "In the harsh terrain of the Mexican desert, a mortally wounded man is left for dead in the heat of the desert sun. This is J. Once a street smart, carefree young guy. Now, a wanted man. The only thing that keeps him alive is the quest to find the love of his life, Natasha. A woman engaged to another man, but surely destined for J. ... Kites is a story of love that goes beyond barriers, boundaries and cultures. It is a story of passion that defies every rule, of a relationship that takes two lovers on a thrilling journey filled with precious moments - and unexpected betrayal."

I say broad-appeal because that pitch reads an awful lot like Slumdog Millionaire, except without the mention of a game show. However it turns out in the end, it looks like this won't be the last time Ratner teams up with Reliance. Variety hints that re-editing Kites comes with the rights for Ratner to direct Youngblood, an adaptation of a graphic novel by Rob Liefeld... Ah, more films from the man who made X-Men 3, isn't that what we all need?

There's nothing better than the times when you get to blog about good news, and I hope this is just another spoke in a continual cycle: Variety reports that Newmarket Films -- the peeps who handled The Passion of the Christ -- has scored the U.S. rights to Alejandro Amenabar's Agora, and plan to release the film during the first half of next year. This is the second '09 TIFF film they've nabbed, the first being Creation, although I have no idea what would lead them to the much chastised Darwin pick before Rachel Weisz and Hypatia.

As I mentioned in October, the film was a big, expensive risk, but seemed to be paying off. In four days, it earned the best opening weekend for 2009, over $10 million, and the second best opening in Spain ever. Now, it still holds onto the number one spot, and according to Box Office Mojo, has earned a healthy $16,698,345.

But it cost roughly $73 million, so there's still work to be done, which shouldn't be very hard for the U.S. market. $55 mil? We can do that! Really. Start planning now. It's well worth your time, whether you love historical epics, truly gorgeous filmmaking, cerebral cinema, or smart girls on the big screen. Go see it! Pretty please?

Indie Roundup: Your quick guide to what's new and upcoming in the independent film community.

Deals. Our friends at indieWIRE report that Cracks has been acquired by IFC Films, which plans to release it next year via its IFC in Theaters platform. The film is the feature directorial debut of Jordan Scott, daughter of Ridley Scott. Eva Green (The Dreamers, Casino Royale) stars as a teacher and diving coach in an Irish boarding school for orphaned girls; Juno Temple, Imogen Poots, and Maria Valverde also star. "The trials and tribulations, for both the students and their unorthodox teacher," writes Kurt Halfyard at Twitch, "gradually are brought to a boil that subverts many of the typical paths in either a coming of age story or a typical 'school-girl dormitory' tale."

Michael Caine stars as Harry Brown, a retired Marine who determines to clean up his neighborhood after his best friend is killed. Samuel Goldwyn Films picked up theatrical rights to the thriller; indieWIRE notes that the film opened in the UK last weekend, though the US release date has not yet been announced. Daniel Barber directed. UK site Pure Movies calls Harry Brown "a superior offering – albeit a gritty and bleak one."

On Demand / Online Viewing. Check out On Hallowed Ground, available exclusively this month on Babelgum. Andre Braugher narrates the documentary, which explores Rucker Park, a basketball court in Harlem where legendary future NBA players, and those who should have been famous, once played. Speaking of gritty players, if you're curious to catch up with Troy Duffy's The Boondock Saints, it'll finally be coming to video on demand in January.

After the jump: watch trailers for Cracks (absolutely gorgeous) and Harry Brown (dark and intense)!

If Richard Linklater did not exist, I would never have thought his fame would be possible. Here's a director who has found mainstream success in intellectual thought and aimlessness -- not something Hollywood usually takes kindly to.

Slacker earned raves, cult status, and inspired Kevin Smith to create Clerks. Dazed and Confused followed, quickly becoming one of the quintessential high school flicks, merging stoner simplicity with political and social discussion. Before Sunrise charmed audiences with romantic discussion, The Newton Boys revealed interests reaching beyond modern day, Waking Life took on rotoscoping to discuss philosophy, Before Sunset quickly became a widely loved talk-centric romance, then fast food and Philip K. Dick fare, and now time with Orson Welles. (Not to mention those penned by others, like the one-room drama Tape.)

Yet the guy can't catch a flipping break.

MGM Studios' financial troubles will soon be coming to a sad end. Back in September, it was reported that MGM was in such poor shape that they might be forced to auction off their assets, including James Bond and The Hobbit. That day has come to pass. Variety reports that MGM Studios is officially on the auction block.

MGM has been given a month of breathing space from their interest payments, time they plan on using to begin "a process to explore various strategic alternatives including operating as a standalone entity, forming strategic partnerships and evaluating a potential sale of the company."

But all hopes of survival may rest on what they sell off from their glorious history, including a library of 4,000 titles, the logo, the United Artists company, James Bond, and half ownership in The Hobbit. Time Warner, News Corp, and Lionsgate are said to be interested in all of the above.

As their library scatters to the four winds, it'll be really interesting to see what remakes and reboots it spawns. Remember, Robocop was on the MGM remake slate, and surely some hungry studio will snap that up. The Cannon Films and ITV Global Entertainment collections are just ripe for harvesting. Perhaps you'll finally see a Lifeforce movie, or a remake of Capricorn One, or an aspiring Tarantino type will buy up all those American International Picture rights and revive motorcycle gang movies. Sure, we all want to know who will wind up with James Bond, but it'll be far more fascinating if someone tries to remake Psych-Out. *


*It's possible this is considered one of AIP's "early" films, though it's unclear where that cut off date is.

It's no secret that video retailer Blockbuster had a rough quarter. Their profits are dipping, stores are closing -- suffice to say things aren't looking good. But, the company is looking for new ways to compete with services like Netflix and Redbox and so they're getting into the digital content game. But, as some critics have pointed out, the results so far are lackluster to say the least. Blockbuster and NRC/MOD systems have announced the pilot of digital media kiosks where customers use an SD memory card to download movies and TV to take home to play on their TV with the aid of a proprietary device (provided to participants of the trial). But the kicker has to be that the content would be DRM protected and customers pay $1.99 for a movie that must be viewed within 30 days and is only viewable for 48 hours.

The digital download service is just the latest in Blockbuster's new strategy to hold on to customers by offering something other than the brick and mortar experience. Some of their other ideas have included DVD subscription services and DVD kiosks. Blockbuster is hoping these new services could reduce the effect that illegal downloading has cost their bottom line as well as open them up to new tech-savvy customers. I understand that Blockbuster needs to fight off the pirates like everybody else, but I doubt that products bogged down with DRM are going to persuade your average pirate to go legit. But on the upside, at least Blockbuster's latest scheme would mean that there's nothing to return, and you don't have to deal with receiving damaged or scratched discs -- but in the grand scheme of things, that ain't much.

If Blockbuster wants to live to fight another day, I think they are going to have to come up with something a lot better than this, don't you?

AEG and Action 3D are betting on music lovers that will want to catch their favorite performers in a movie theater -- on the screen, that is. According to Variety, the two companies have already been getting footage from different festivals for their limited-run, 3D-only concert movies, which will be offered in a similar manner as U2 3D. The first series of movies will be footage of concerts from Dave Matthews (yay?), Relentless7, Ben Harper, and Gogol Bordello. The only group that sounds like it would wow music fans in 3D is Gogol Bordello, a gypsy punk band known for their outrageous live shows and songs like "Start Wearing Purple."

However, AEG is also behind the recent release of Michael Jackson's film This is It, along with Sony, which has made $186 million worldwide so far. While concert movies with built-in audiences like the Hannah Montana/Miley Cyrus: The Best of Both Worlds have been similarly successful, I'm not convinced that semi-random concert series will really put bottoms in seats. And for all you Phishheads, AEG has apparently already "filmed several 3D live sets of Phish from Festival 8 in Indio, Calif., in late October. According to [John Rubey, president of Network Live, a division of AEG Live], the company plans to roll out 'best of' edition from Lollapalooza and Austin City Limits as followups to the Matthews feature in 2010." So get your Birks and tie-dye ready to jam out, man!

I think it's a cool idea to offer people the chance to see their favorite bands up close and personal if they can't see them live, but there isn't anything to rival the actual live experience. Granted, you're not usually that close to the stage and some jerk just spilled beer on your shoes and someone else is singing along to every song and/or shouting "WOO!" in your ear, but that's all part of the concert experience, right?

Indie movie lovers of the greater Los Angeles area, take note of a wonderful gem from this year's SXSW festival that's coming your way. Make-Out with Violence is an angsty teenage zombie horror comedy that I caught last year at the Oxford Film Festival, and tonight – November 12 – it screens in Los Angeles. For free!

Ok, technically it's screening in Alhambra. But this one-night only engagement will likely be your only chance to see the underappreciated indie film that our own Scott Weinberg called "pretty damn good" – and if I may add my own endorsement, Make-Out with Violence is original and gorgeously shot, a great alternative to mainstream (i.e. made with way more money) films about either teenage life or zombies. The best part? Make-Out with Violence is about both of those things. (It's also got the most attractive zombie hottie of the year, with apologies to Zombieland's Amber Heard.)