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Mirren to Play The Queen Again in Star-Studded Biopic?

Filed under: Drama, Foreign Language, Independent, Casting, Newsstand

The legendary Helen Mirren may once again be serving crown and country as Queen Elizabeth II. WENN is reporting that Mirren is being called upon to play the once and current queen in Mother: The Indira Ghandi Story, a biopic about the Indian prime minister who was asassinated in 1984.

Tom Hanks and Tommy Lee Jones are also reportedly in talks to play Lyndon B. Johnson and Richard Nixon, respectively, while Emily Watson is attached to play the formidable Margaret Thatcher. Director Krishna Shah calls it "the project of my life" so one hopes this could actually come together for him with this kind of cast. The film is scheduled to be released in 2010, which seems a bit too optimistic with so many schedules to coordinate, but we'll see.

Obviously, this should be filed firmly under "rumor," but it's an intriguing prospect. Indira Ghandi is certainly long overdue for a biopic, and the cast would be fantastic. It would be fascinating to see Mirren go back and play a younger Queen Elizabeth II, even for just a small part in a larger historical picture. Besides, with Michael Sheen doing triple duty as Prime Minister Tony Blair, it seems very appropriate that his onscreen monarch get another shot at the throne.

'Nine', 'Up in the Air' Lead Satellite Award Nominations

Filed under: Comedy, Documentary, Drama, Foreign Language, Music & Musicals, Awards, Quentin Tarantino, Johnny Depp, George Clooney, Oscar Watch

There are a few good reasons to hate on the Satellite Awards. First of all, we really don't need any more end of the year movie and television honors. Second of all, the Satellites seem to be little more than a knock-off of the Golden Globes, which are already pretty unnecessary. Third, they happen way too early, missing out on seeing and thereby qualifying perhaps the biggest film of the year (Avatar).

But over the years I've come to appreciate the Satellites and their bestowing organization, the International Press Academy, for their constant surprises when it comes to nominating and awarding unlikely films and talent. Just look at some of last year's acting winners: Richard Jenkins; Rosemarie DeWitt; Ricky Gervais; Michael Shannon.

Now check out this year's nominees, which continue to prove that IPA voters like to go at least slightly against the grain. Okay, so there are a lot of predictable titles in the lot, including Up in the Air and Nine, which leads with 11 nominations. Yet there are some films I don't expect to be recognized by the Golden Globes, let alone the Oscars, such as The Maid and The Stoning of Soraya M., both of which feature in the Best Actress (Drama) category.

Asian Trailer Watch: 'Bodyguards and Assassins'

Filed under: Action, Foreign Language, Trailers and Clips


Just as fans of American action movies should be readying themselves for the explosionpalooza that will surely be Sylvester Stallone's The Expendables, which brings together every big-name, bad-guy shooter of the last 20 years, so should fans of Hong Kong martial arts flicks begin bracing themselves in anticipation of the unholy ass-kicking that will be on display in Teddy Chan's upcoming film Bodyguards and Assassins. It tells the story of a group of (mostly undercover) bodyguards who must protect the revolutionary political leader Sun Yat-sen from an onslaught of highly trained assassins sent on the behest of the Emperor to quell the tide of reform in Hong Kong in 1905.

Think of it as 16 Blocks, but instead of a tired Bruce Willis protecting a witness as people shoot at him on the streets of New York, it's the amazing Donnie Yen and a pack of other Asian martial arts stars escorting a political leader across a wildly elaborate recreation of downtown HK at the beginning of the 20th century while a horde of assassins strike using darts, arrows, acid, and all manner of bladed weapon. The production design alone looks outstanding, but you'll soon be forgetting all about the set building once the fists, feet, and other limbs start destroying everything in the newest trailer for Bodyguards and Assassins (thanks to Twitch for the find).

I've included the previous B&A trailers below as well, but it's the action heavy one on top that's most likely to pique your interest -- aside from the bizarre choice of trailer music, this is one of the most blood-pumping, face-pounding, throat-grabbing, sword-chopping, pole-swinging montages I've seen in a while.

When Remakes Look Awesome: Zhang Yimou's "Blood Simple" Redo Has a Trailer, Rap Song

Filed under: Comedy, Foreign Language, Sony Classics, Remakes and Sequels, Trailers and Clips



The term remake has predominantly negative connotations, but once in awhile we see proof that a redo can be a good thing. Just look at Werner Herzog's new film, Bad Lieutenant: Port of Call New Orleans, which isn't quite a remake of Abel Ferrara's Bad Lieutenant so much as it's a stand-alone sequel or simply another filmmaker's take on the same sort of character explored in the original. It's enough to make me wish we could have seen what Spielberg and Will Smith's version of Oldboy would have looked like.

And here's another perfect example of a good remake: Zhang Yimou's version of the Coen Brothers' neo-noir cult classic Blood Simple, which Peter excitedly wrote about back in July. The film now has a title, The First Gun (aka Amazing Tales: Three Guns), and an international trailer, which shows us just how different Zhang's version is. The Chinese filmmaker, acclaimed for numerous Oscar-nominated films, whether recognized in the foreign, cinematography or costume categories, recently confirmed that he added a lot of things and changed the whole tone from the Coens' version.

"We brought in a lot of comedic elements and changed the relationship and personalities of the characters," Zhang told Chinese website Sina.com.

'Oldboy' is Dead! Long Live the Real 'Oldboy!'

Filed under: Action, Foreign Language, RumorMonger, Steven Spielberg, Remakes and Sequels

Looks like our friends over at Latino Review have some news on that Oldboy remake that would have starred Will Smith with Steven Spielberg directing. The initial news about this remake (which actually would have been an adaptation of "the Japanese manga by Nobuaki Minegishi and Garon Tsuchiya") had fans of the uber-violent and disturbing cult film confused and distressed, to say the least. (Okay, irate. They were irate.) I haven't read the manga, but I find it hard to believe that it would be any easier to adapt for a Smith/Spielberg-type audience than the movie Oldboy itself. Either way, it's bananas.

So fans can rest easy because a trusted source has tipped off LR that the whole shebang is as dead as a doornail because "Mandate and DreamWorks didn't see eye to eye, therefore DreamWorks has apparently walked away." And the thing with Latino Review is that their trusted sources are, well, trustworthy, so expect more details soon -- and stories in the trade papers that will claim the same scoop. Tomorrow.

I just don't get the appeal of remaking foreign films for US audiences, especially now that services like Netflix and GreenCine can bring whatever obscure film you just read about on your friend's Twitter/Facebook/Tumblr to your home in a matter of days. Although it could have been fun to see Will Smith eating a live octopus and disposing of enemies in exceedingly violent ways while under the direction of Steven Spielberg, it's still insulting to assume that American audiences are somehow not smart enough to find these movies on our own. Or, gasp, read subtitles! Oh, the horror.

Is Pakistan's Film Industry Dying?

Filed under: Foreign Language, Independent, Distribution, Exhibition, Cinematical Indie



Left to right: Hand painted movie poster, Peshawar, Pakistan, 2006 (photo by Jim Henry); The Odeon Cinema, Lahore, Pakistan, 2009 (photo by Rahat Ali Dar for Los Angeles Times).

You've heard of Bollywood, Nollywood, and even Dollywood, but what about Lollywood? Based in Lahore, the second-largest city in Pakistan (and home to the U.S. Consulate), Lollywood produced more than 100 movies annually back in the 70s and 80s. Today, however, "Pakistani cinema has all but vanished," writes Alex Rodriguez in Los Angeles Times. Reportedly, the number of movie theaters in the country has declined from 1,100 in 1985 to just 120 today, and local film production has shrunk to fewer than a dozen movies each year. It's gotten so bad, the theater pictured above has been playing the same movie for three years. The same movie, and evidently not by popular demand!

Most of the usual suspects are blamed, with one that is unique to the country: "VCR, cable television, President Muhammad Zia ul-Haq's Islamization of Pakistani society, and finally DVD piracy." (Emphasis added.) While film industries have weathered changes in viewing habits, it appears that government edicts played a big role in the collapse of the industry: "Many cinemas were shut down, the rest were heavily taxed. New laws that required producers to have college degrees thinned the ranks of movie makers. The message Zia ul-Haq's government was sending to society was clear, [theater owner Jahanzaib] Baig says: 'We were being told that filmmaking was a vulgar and bad business to be in.'"

Watch This: Spider-Woman and Superman In Bollywood Love

Filed under: Foreign Language, Romance, Fandom, Comic/Superhero/Geek, Trailers and Clips


In Bollywood, no filmmaker needs to worry about what studio owns the rights to what Marvel or DC character. Not even the boundaries between DC and Marvel have meaning, as evidenced by this delightful clip from India's Dariya Dil. Here, Superman shows off his dance moves on land and in the sky while courting Spider-Woman. Yep, Spider-Woman! Somewhere, Lois Lane is throwing a snit fit. It's hard enough to be secure knowing Wonder Woman is out there, but how can she compete with Jessica Drew's pheromones?

All joking aside, I think it's rather cool that at least one filmmaker in India decided Superman needed nothing less than a super woman as a costar (we still haven't done that here!), and that superheroines could use a nice afternoon in the sky. Can you imagine how hard it is for a superheroine to date a normal guy? He'd be threatened by her powers and fame, and jealous of her working relationship with the impossibly buff superheroes in her universe. This is probably the first date Spider-Woman has had in ages where she didn't have to play down her awesomeness.

This clip also demonstrates something else you'll never see in a stateside Marvel or DC adaptation: Song and Dance! India must not have a lot of supervillains running around, because these two are able to take time to learn some sexy steps. If you find yourself sniggering "How cheesy!", just remember that Lois Lane was supposed to sing to Superman in Richard Donner's Superman: The Movie. Every adaptation walks a fine line between The Dark Knight and Dariya Dil.

Go below the jump for the video. Thanks to Cory Casciato and Westword for highlighting it.

Screamfest Review: The Human Centipede (First Sequence)

Filed under: Foreign Language, Horror, Independent, Theatrical Reviews, Festival Reports, Fandom, Other Festivals


Regular Cinematical readers will remember that I've famously said I can never watch Ruggero Deodato's Cannibal Holocaust thank to violence it commits against animals, but I have definitely seen my share of gross, weird, and deeply disturbing movies. Until recently, the most f*cked up thing I've ever watched is probably Jorg Buttgereit's 1987 film Nekromantik, which climaxes – literally – with a guy stabbing himself to death as he ejaculates blood. But Sunday's offerings at Screamfest offered a new contender in this dubious competition to show audiences the depths of human depravity: specifically, The Human Centipede is precisely the kind of cult sensation that earns immortality on the merits of its gobsmacking levels of gore, despite the fact that all in all it's really not a very good film.

Dieter Laser stars as Dr. Heiter, a reclusive German surgeon who specializes in separating conjoined twins. Pining for the loss of his beloved 3-dog – in fact, rottweilers that he surgically attached end-to-end – Heiter recruits a series of unwitting victims, including a trucker, two American tourists (Ashley C. Williams and Ashlynn Yennie), and a Japanese playboy (Akihiro Kitamura), for his latest experiment. But when his victims give him more trouble than he expects – including unwanted attention from the authorities - Dr. Heiter is forced to decide whether to abandon his latest project, or protect it from the outside world – with their and his very lives, if necessary.

Indie Spotlight: New Releases for Oct. 23

Filed under: Comedy, Drama, Foreign Language, Horror, Independent, New Releases, Columns, Indie Spotlight

Here's a quick look at what's opening in limited release this weekend. If they're not playing where you live, keep an eye out as they make the rounds. And if all else fails, there's always DVD....

Ong Bak 2: The Beginning (pictured) is something of a prequel to Ong Bak, the Thai sensation from a few years ago. Tony Jaa, whose multi-discipline fighting skills are beyond impressive, plays a guy who fights a lot. Cinematical's Todd Gilchrist sums up the way many of us felt when we first caught the film at South By Southwest: The fight scenes are spectacular; unfortunately, the plot that holds them together is incomprehensible and takes itself too seriously. At Rotten Tomatoes, the critics are almost evenly split between yea and nay, with the only question being whether the awesomeness of the fights is enough to compensate for the dullness of the rest of it. Playing on 10 screens in New York, L.A., San Francisco, Seattle, Boston, and Washington D.C.

Antichrist is an art-house horror film from Lars Von Trier, starring Willem Dafoe and Charlotte Gainsbourg as a grieving couple to whom some supernatural and terrible things happen. It's been appalling audiences since it premiered at Cannes this spring. The critics all seem to agree that it's repellent, grisly, unsettling, and hard to watch. Where they part company -- about evenly down the middle, so far -- is whether that's good or bad. Playing on one screen each in L.A., New York, Chicago, Boston, San Francisco, and Washington D.C. It will also be available through some Video On Demand systems starting Oct. 28.

Bring 'Lucky Luke' Stateside!

Filed under: Action, Foreign Language, Movie Marketing, Comic/Superhero/Geek, Western, Trailers and Clips


As you've probably noticed by now, I'm a sucker for Westerns. It took me awhile to warm up to the genre. I live on the high plains and have one gig giving Old West tours in petticoats to my credit, so they were hardly escapism. Of course, now that I finally like them, there's just not that many being made. Lately, there's stirs of a re-imagining going on. Filmmakers and audiences are realizing Westerns can be fun again and in a repeat of the 1960s, the charge is coming from overseas. Film fans already know about Asia's madcap forays into the genre with The Good, the Bad, and the Weird, Sukiyaki Western Django, and the upcoming The Warrior's Way. But now France is getting in on the draw with Lucky Luke, and TwitchFilm has nabbed a trailer for it.

Lucky Luke is based on a French comic series, which (as per Wikipedia) was equal parts satire and good old fashioned Western. He's your typical lone gunslinger, wandering the borders in search of injustice, a heavy burden weighing on his shoulders, a deep characterization that's a bit at odds with its simplistic art. (He looks a bit like Woody from Toy Story.) How it spawned this crazy, stylish, bullet-ridden feature is a mystery, but it did, and I'm thankful. I'm desperate to see this, and to be better acquainted with Jean Dujardin. Ooh la la.

The trailer is embedded below the jump. Watch it, and join Twitchfilm, CHUD, and Cinematical in demanding a stateside release. You know you want to spend more time in this vision of the Old West.

[via CHUD]
 
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